Design of Ivy Leaves

The term Owari sukashi was not used in earlier periods, but was introduced in the early modern era when Akiyama Kyūsaku Ou undertook the classification and organization of sukashi tsuba. Although it remains uncertain whether these works were actually produced in Owari, the yakite technique and the presence of tekkotsu closely resemble those found in the works of masters associated with Owari, such as Yamakichibei, Hōan, and Sadahiro, and they have therefore been regarded as their predecessors.
Owari sukashi tsuba of the Muromachi period are typically characterized by maru-gata (round form) iron with a slightly concave center, kaku-mimi ko-niku mimi (in between square and round rim), and bold, largely symmetrical sukashi designs finished with tsuchime incorporating visible tekkotsu.
While this tsuba preserves such Owari traditions, the tsuchime is more carefully refined and the tekkotsu along the mimi appear only sparingly. These characteristics suggest a production date in the Momoyama period, following the Muromachi era.
At the same time, the bold arrangement of opposing stylized leaf motifs across the four sides gives the composition a strong sense of dynamism, and the sukashi itself possesses a remarkable feeling of speed and movement.
The deep black lustrous patina and the powerful overall presence fully convey the distinctive dignity of Owari sukashi. Rich in character and highly engaging in appreciation, this is a particularly appealing work.